Never Enough

One of the more anticipated albums of 2025 was the new Turnstile LP. I‘m not a big fan of singles being dropped before the actual album release, so I didn‘t listed to any new Turnstile material before ordering a copy. But based on the fact that I liked each of the previous albums, there was no reason not to order Turnstile‘s new record. 

When I first listened to the whole LP, I felt a little lukewarm towards it. My initial verdict was ‘this might be a grower‘ - and I’ve been right with my assessment. I worked the whole day in the garden today and I must have listened to the record for at least 8 hours. Never Enough is a pretty apt title for this album. Time Is Happening is probably my favorite song as of now. It‘s a pretty short and simple song, but the lyrics somehow strike a chord with me. 

I‘ve heard some chatter whether or not this is still a hardcore record or not. My 5 cents: Who cares? It‘s a fantastic record however you want to classify it. There‘s clearly hardcore DNA woven in on Never Enough. Does Turnstile use instruments you wouldn‘t hear on most hardcore records? Absolutely. The songs don‘t sound like AF 1983, but there‘s obviously a ton of Bad Brains worship. Actually, the more I listen to the record, the more I'm reminded of I Against I.

I like the vinyl color itself, but it wasn’t my first choice. I just bought a copy from a German distro to save on shipping/customs. The European Turnstile store had already sold out all the really nice looking copies, so I bought whatever I could get my hands on without having to pay an arm and a leg. The pressing info is kind of all over the place, I didn‘t even find a number for the version I have. There are like 20 versions listed on Discogs already, and the total number of the first press is 35,000+ vinyl copies - and that is despite the fact that for 8 versions no numbers are provided. That‘s crazy for a (hardcore) band this day and age. 

1st Press on Red Dark Wave [Target Exclusive US, HMV + Indies exclusive UK] on Roadrunner /???

Tokyo, Two to Eight

For some reason I felt the urge to add a Bane CD to the collection a couple of weeks ago. I own most of the versions of the different 7“s of the city series, but I still wanted to have the Tokyo, 7:58pm CD. I‘have owned the Curitiba CD since when it came out, but for whatever reason I wanted this version as well. I found a copy for a fraction of what the going rate on Discogs is. 

Hands down, the main reason why I wanted this CD was most likely just the fact that I wanted to own a different version on CD. However, the ulterior motive behind me buying this CD was the possibility of getting the sticker you can see in the top right corner. 

Last year, when we were on holiday my family and I spent a week with friend and fellow Bane collector Dan. As I was going through some of his things, I noticed a Bane sticker I hadn‘t seen before. I sent a picture of the sticker to another friend, who collects hardcore stickers. He hadn‘t seen that sticker either but wanted one badly after seeing it. 

A few weeks ago, I chatted with said friend who collects stickers and he told me he still hadn‘t found one. Now, Dan had mentioned that the sticker might have come with the Tokyo, 7:58pm CD, but he wasn‘t 100% sure. When I was thinking about buying this CD I remembered Dan telling me that detail and given his extraordinary memory when it comes to nerd stuff like this, I thought why not take a shot. I didn‘t get my hopes up though, because what are the odds of a sticker, which is a form of art meant to be put somewhere, still being with a CD that was released more than 15 years ago. Well, lo and behold, when the CD arrived, I opened it and, boom, there was the sticker! So I got the CD I wanted and while I would have liked to keep the sticker for myself, I knew that my friend appreciates stickers much more than I do, so I sent him the sticker for his collection. Win-win. 

Something‘s Gotta Give

Agnostic Front is one of the first hardcore bands I discovered when I stumbled into hardcore. It was not one of their classic records from the 80s, but a song from their 1998 record Something‘s Gotta Give, which was the current record back then.

I was exposed to a lot of hardcore at a club which had alternative music nights every second Friday. Most of my friends wanted to go there because the drinks were cheap and since I didn‘t drink (yes, even before I stumbled across hardcore or knew about straight edge, I didn‘t drink), they always had a driver and I got to enjoy the music playing there. Gotta Go by AF was a staple at the club and as a matter of fact, I loved the song so much back then that I chose the beginning of the song to be played when I was walking to the stage to get the German equivalent of a high school diploma / A levels. It was between this song and Refused‘s New Noise. But since a friend of mine had used that song the year prior, this was a no-go... It‘s so funny to think back on the things that mattered to you when you are 18/19. 

Anyway, I had a little bit of an AF renaissance these last couple of weeks. I read Vinnie Stimga‘s book recently and listened to a bunch of podcasts with him, which made me want to listen to AF again. Both, United Blood and Victim In Pain have stood the test of time, but to be honest, that‘s the extend of my AF collection. They lost me with their follow up records in the 80s. I know that this is sacrilege for many people, but I‘ll never understand why hardcore bands gave to go crossover or even metal. 

Gotta Go alone made me want to finally get a copy of Something‘s Gotta Give. Turns out, this isn‘t as easy as I thought it‘d be, despite the fact that there was a repress just a couple of years ago. But even those go for a pretty penny. Eventually, I managed to find a fairly priced OG copy from a European seller, so I snagged it. 

It’s hard to fathom this is almost a 30 year old record, but then again, it‘s hard to fathom for me that I am as old as I am. I hadn‘t listened to the full album in I don‘t know how many years, but I actually like it. Besides Gotta Go, you get another AF classic, Crucified, but the rest of the record is also quite good. I‘m not sure if I need to check out the rest of their discography, but I certainly can enjoy this record. 

1st Press on Black on Epitaph /???

How Do You Like Them Apples?

So, at the beginning of the year I wrote about a Beatles record I was gifted by a dear friend of mine. In the same post I mentioned that my friend collects a certain kind of Japanese pressing of Beatles records and how nice they look. Well, said friend gifted me another record, Beatles For Sale, which was released in 1965, and this time it was one of those Japanese pressing I‘d mentioned before. Just look at the packaging. It‘s so awesome. Here‘s to another collection. 

Japanese Pressing on Clear Red w/OBI Strip

Inside of the gatefold sleeve. Cool pictures, plenty of Information in Japanese and you get to see the inside of the OBI strip. 

Lyric sheet: The song titles are in English, and they are also listed in Japanese right below, plus you get the actual lyrics to the songs in English. 

Lead Spirit

A couple of weeks ago a very good friend sent me a link to a Bandcamp page. I had actually seen the cover of the 7" he sent me the link to before on the website of a bistro I frequently buy from. Live picture plus band name always trigger my interest. It's not groundbreaking artwork, but 9/10 you know what to expect. I also really liked the purple lettering. I decided to listen to the 7" on Bandcamp, which is something I didn't use to do but with prices skyrocketing I have grown to be more cautious with what I buy.  I was hooked right away. Yeah, it is the umpteenth version of Youth Crew with a modern twist, but as long as it's done well - which it absolutely is here - I am onboard. Like I said, I dig the cover and I really like the insert as well. The only point of criticism is the color scheme of the labels. The maroon doesn't really work with the cover in my opinion. But hey, that's just me knit-picking. 

Of course I would have loved to get my hands on a colored copy, but with prices for a 7" already being in the double digits, I have to compromise and make do with whatever version I can get my hands on. 

 

1st Press on Black on From Within /200

Just Shut Up And Take My Money

So here we are again. Yet another Bane record. Give Blood is widely regarded as Bane‘s best LP and while it is an incredible record, it‘s not my favourite of theirs. But it‘s a very close second.  

This particular record on solid white vinyl, not to be confused with the opaque cream version I bought a couple of months ago. Overall I think the label did a much better job with the color choices for the repress of Give Blood compared to the It All Comes Down To This LP. The white, and for that matter also the opaque cream variant, look really good with the artwork. Just keep it simple and I‘m a happy record collector. 

2024 Repress on White on Equal vision /800

Found

Question: Can one ever have enough Walter Schreifels related records? Answer: No. Found was supposed to be the second Rival Schools album, but it never materialised that way because the label didn‘t hear a single. Well, that pretty much should tell you everything about major labels. Some of them songs were leaked or had been played live, but they weren‘t available on vinyl. That was until 2013, so only about 10 years after the songs were written. Fast forward another 12 years and I finally listened to these songs as well. 

In addition to Rival Schools original songs you also get a nice Buzzcocks cover to end the album. I really like the printed inner sleeve with the United By Fate artwork. That‘s a nice touch. 

3rd Press (2024 Repress) on Half Olive / Half Cream on Run For Cover /700

G.L.O.W.

I know that this isn‘t a huge platform, but if I can promote bands by friends, I will use that opportunity. G.L.O.W. are a new band of old(er) people from the area I live in and some of them I have known for 10+ years and also played with together in bands, so, yes, I‘m  biased very much, but who cares. 

G.L.O.W. play 80s style hardcore punk, with some wave influences. Since I‘ve known both people who are in charge of songwriting from their previous and current bands, I kinda can tell who wrote which song. 

I also went to see their second show a couple of weeks ago, which is where I picked up the demo. The show itself was a lot of fun and I really enjoy the demo. I'm really looking forward to hearing their new material. 

Clear Red Tape Self-Released by the Band /50

Your Life And Nothing Else

The first Faim LP, Hollow Hope, blew me away when I first listened to it back in 2020. All the more is the pity that I slept for almost two years on their follow up record, Your Life And Nothing Else. Great name, great art work, especially in combination with this particular vinyl color. The music is fast and ferocious, but then there are also post-hardcore influences. It‘s an interesting combination that works really well for me. This is not a record to listen every day, I have to be in the mood for music like this. But when I am, this really scratches an itch for me. 

1st Press on Solid Pink on Safe Inside /250

No Need To Hide

I‘m the kind of person who really likes surprises in real life. I also like surprises when it comes to music. However, sometimes I just want to get exactly what I expect. Take the cover of Jusitfy‘s Run and Hide 7“ for instance. It may not be groundbreaking and all that exciting, but you get exactly as advertised. Take the best parts of every wave of youth crew bands and you get the songs on this 7“. Some people might read this as a dig at the band, but I mean that as a compliment. Put on your Nikes and get moshing. 

1st Press on Black on Total Supply / Extinction Burst

A Life‘s Refrain

There‘s a million bands out there that I have no idea about, but one of the current bands that gets me really excited is Speedway from Sweden. That‘s what the folks at Revelation Records must have felt as well because it‘s still very rare that they sign European bands. I‘d been looking forward to the debut LP for a long time and the band delivers on A Life‘s Refrain. I could do without some of the leads on some songs, but that‘s me really nitpicking. This is just a great LP and so much fun to listen to. 

And from a collector‘s point of view, I’m happy to say that there are only five versions of the first press. The red or ‘ruby‘ color works really well with the artwork. Great job all around. 

1st Press on Translucent Ruby on Rev /300 (Retail Exclusive)

Holding On

When I ordered the FC Five CD I took a look at the seller's inventory on Discogs. Like I said, I'm still not 100% over being a vinyl snob so I felt I needed to order at least one vinyl record, too. 

In many respects, I‘m a quite simple guy. Put a guy jumping with a guitar on the front cover of a record and you got my interest. Combine it with a classic looking hardcore font and you got my full attention. I‘ve had the second Holding On LP for a long time, but for some reason I never bothered to check out their other material, even though I really like that album. But here we are and I finally listened to the Hoding On demo 26 years after its release. No frills hardcore just the way I like it. 

1st Press on Clear Blue on Looking Back /???

Reasons Not Self-Imposed Rules

Mainly, this is a vinyl only blog as you may have noticed. Tapes get a pass from me, but I can‘t honestly say when I spent money on a CD the last time. It must have been one of those Bane city 7“s that were also available on CD. But after that, I have no idea. 

Now, in the 2000s, there was a phase during which less vinyl was pressed by record labels. Even hardcore labels followed that trend to some degree, which is why there are certain releases from that era that are CD only. For the longest time I was a real snob about this and didn‘t buy albums or 7“s that weren‘t released on vinyl. Well, that was pretty stupid in hindsight. So after decades of ignoring CDs, here we are. 

FC Five were a band from Japan that existed from 2000 - 2012. I saw them twice in the mid-2000s and both shows were so much fun and really memorable. The first time I saw them was the very first Bane show I went to, which itself was such a huge turning point in my life. For some reason, FC Five weren’t featured on the flyer for the show, but I know they played that night. The second time I saw them was a year later when they were on tour with Ritual, a German hardcore band, and they played a local youth club. I don‘t think I‘ve ever seen a band that had more fun on stage and that‘s true for both times I saw them. They seemed to genuinely enjoy playing hardcore shows on a level I‘ve never seen with any other band before or since. And the band having the time of their lives was so infectious. The music was right up my alley at that time, too. After getting this CD, I listened to their whole discography and their records have stood the test of time for me. 

 

Here’s a shot of everything laid out. The band / label certainly didn‘t hold back when it came to the cover and inlays. The only thing that annoys me is that some of the pictures on the left are turned 90 degrees. Hard to tell because, well, it‘s a CD and not a vinyl record. I guess I‘m not 100% over being a little snobbish when it comes to CDs. 

One cool thing about releases from Asia are OBi strips. I‘m a sucker for those for some reason. They just look cool. 

Having said all of this, if anyone were to put out this record on vinyl, I‘d be all over it. But considering that the 20 year anniversary was already two years ago, I don‘t think this will happen anytime soon. 

Big Kids

A while ago a very good friend of mine tagged me in a post on Facebook in which he‘d posted a bunch of emo bands. One of the bands he‘d chose was Big Kids. He tagged me because I was the one who introduced him to the band. As a matter of fact, I recently turned on one of my bandmates to the band when we were on a long drive a couple of weeks ago. Two people in roughly ten years, not bad, but also not great. I‘ve been a longtime proponent time proponent of the band and Hoop Dreams easily makes my all-time top 5 of emo/indie records, but I feel like I‘m one of only a few people who are really into that record and that’s exactly why I‘ll never get tired of singing its praises. 

After my friend had tagged me, I started looking on Discogs what other versions of Hoop Dreams are out there. Looking turned into putting a pink copy into my shopping basket and after I admitted to myself that I was just kidding myself by pretending not wanting to buy it, I clicked on ‘Place order and buy now‘. There‘s only a few variants out there (good old 2000s…) and all of them are cheap, at least until you factor in shipping from the States ($8.75 for the record turns into $56 total…). So that keeps me from buying more copies right now. However, this great looking pink copy was available from a seller in Europe and for less than 10€ I couldn‘t say no. 

1st Press on Pink Marble on Topshelf /250

Wait… Whut?

When the announcement of a 10 year anniversary was made, I heard talks about a very special, special version. While some of the versions that were part of the anniversary press were cool, others fell rather flat. But I had high hopes for the special version and man, I didn’t get disappointed. 

So, this is what the record looked like when it arrived. This is the only record I own that comes with a safety warning. Of course, I cut out the stickers and now I keep the with the record.

Standard shot of the record and the sleeve. Everything looks pretty cool if you ask me. 

10 Year Anniversary Press on Purple Swirl w/ Confetti on End Hits /100

Having said that, when you hold the record up against the light, it looks incredible. Just look at it. The purple swirl would have been a great color for the record on its own, but the rainbow confetti makes it that much more special. Such a beautiful sight to behold. 

Because the record is so beautiful, here‘s another shot against the light. 

End Hits also included a bonus lyric sheet. They really went all out with the packaging. 

Another cool feature is that you can recharge the light. With a simple battery, you wouldn‘t have been able to turn on the lights up eventually, but with the plug-in charger, you should be able to enjoy the lights much longer. Each record was hand-made, which probably took forever. 

When I talked to Marcus about this record and I told him I‘d send him picture, he suggested that a video would probably make more sense and of course he was right. So here‘s a short video of the whole thing. 

This is by far the most money I‘ve ever spent on a new record. It was 99€ in case you were wondering, but the record itself is such a beauty and the packaging is absolutely incredible. No regrets on my part.