After not jumping on the repress wagon right away with the Give Blood represses, I decided not to repeat the same mistake when I saw that It All Comes Down To This was about to repressed. I‘ve known for a long time that the band was really unhappy with the way their debut album sounded. I never got that because I don‘t have an ear for that to be honest (ask any of my bandmates) and I don’t care if songs were recorded on a second-hand four-track in an abandoned New York basement in 1983 as long as they‘re good songs. As a matter of fact, if a record doesn‘t sound all that great that can actually add to the charm of a record for me.
Anyway, I listened to an episode of Where It Went podcast with Aaron Dalbec of Bane and Brian McTernan of Battery/Be Well/Salad Day Studios, who did all the recordings for Bane except for It All Comes Down To This. However, he was in charge of remixing and remastering this LP and both of them were really excited when talking about the finished product, which in turn made me really excited.
Like I said before, I really don‘t have an ear for what‘s a good or bad production, but goddamn, Brian McTernan did an excellent job with this remix. It‘s like a completely different record! This version does sound so much better compared to the original, it‘s hard to fathom. If you want to get all the details about the process of remixing the record, you should really listen to the Where It Went episode, it‘s a really interesting listen.
I picked up this version first because it‘s the best looking one by a mile. Can‘t go wrong with (clear) pink vinyl. The cover was also tweaked a little bit and it looks as fantastic as the record sounds. The gold and red foil or whatever that is in combination with the metallic colors used for the sleeve are great details. The only thing I‘m not a fan of is that the labels were redone as well. I actually like ones on the OG pressing better. Still, I‘m really, really stoked on this repress.
2024 Repress on Clear Pink on Equal Vision (Newbury Exclusive /300) |
I have a framed promo poster for the original release of It All Comes Down To This hanging in my office, so this felt like a good time to take it off the wall for a picture. As you can see the picture in the promo poster is the same as the one used on the inner sleeve of the record.
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