Record store pick ups

I totally forgot that I picked up a few other records when I went to Rekomando Records in Prague some time ago. I did some cleaning up today and found these again in a pile of records. I now recall that I wanted to make two different posts about my trip there, because the two other records I bought had nothing to do with RSD 2014. Plus I got some other exciting records in the meantime, so these two records somehow slipped my mind.

The first one does have something to do with Record Store Day, but a previous one. Back in 2011 Rev re-released one of the most classic records in their back catalogue: Burn's - Shall Be Judged 7", making this the 4th press. There were two different shades of yellow totaling up to 1090 copies, and there were also 300 copies on black. I managed to pick up a Burn 7" on light yellow back then, which was actually the very first copy of Shall Be Judged I ever got and which got me hooked as a listener and collector. As a result of my trip to Rekomando Records a few weeks ago I now also have a 4th press black copy. Apparently it's been sitting there for the last three years, which is kind of sad considering that this is such a good record, but since it worked out well for me, who am I to complain? I still haven't got a dark yellow copy, so if anyone has one and wants to sell or trade it, feel free to hit me up.

I also picked up the 2012 repress of the Texas Is The Reason 7" while I was there. This comes on opaque orange vinyl and is out of 500. Can't go wrong with this one.

RSD 2014

Everybody and their grandmother has already posted about their Record Store Day scores. Or so it seems. Well, with only two and a half weeks of delay, I'm finally chiming in here.
But first of all, let's talk about Record Store Day here for a minute. Introducing such a day was a really good idea and it still is a cause that is worthy of support if you can help out your local record store and bring in some extra cash. It's also cool if long out of print records are re-issued and you can save some money by buying reasonably priced re-issues rather than paying an arm and a leg for originals. Originals are way cooler of course, but sometimes I'm not interested in having an early edition, special colour or things like that and I just want to have the records for the music. There are also some records that are just waaaaay too expensive, so if RSD provides an opportunity to pick up some cheap re-issues, I'm all for that. That's the upside of RSD. On the downside, RSD could also be called Record Flipping Day nowadays since a myriad of people crawl out of the woodwork, who probably buy records once a year and that is - you might have guessed correctly - on RSD, just so they can run home and put them on eBay to flip them. If you're not interested in the records and buy them just so you can make money off of them, fuck off. End of rant.

One of the more bizarre developments surrounding RSD is that you can actually pre-order certain records from labels directly. Defies the whole purpose of RSD somehow, but that's the way it is in 2014. I shouldn't really complain about that thought, because without being able to pre-order, I probably would have never got my hands on these two records. I'm talking about the re-issues of the two The Fix 7"s released by Touch and Go. Well, actually only 300 were up for pre-order, the other 700 were sold on RSD in stores. I don't want to twist the truth here just for a dramatic effect. These records are classics, and rightly so, and I really dig them, but there's no way I'd have ever spent the kind of money that these two records usually go for. So I'm really happy that Touch and Go decided to re-issue them and I'm even happier that they didn't botch these re-issues like they did with the Negative Approach 7". If you've ever seen the new cover, you know what I'm talking about. What I don't like about this re-issue at all is the fact that they come with autographs. Really? Like, really? Autographs on hardcore 7"s? Why? Who cares about shit like that?

I didn't actually go out on RSD to hunt for records. Partly because I didn't really care about most of the records that were released, except for the two The Fix 7"s, which I had already pre-ordered. Partly because there are no record stores I could have gone to where I live.
However, I went to Prague the day after RSD and spent a couple of days there. On our last day, we had some time to kill and I checked if there were any good record stores close by. So we went to Rekomando, a record store with a rather large hardcore and punk section. They still had copies of the Battery and Up Front LPs, among others, and I finally caved in and bought both of them. I had wanted the Battery LP for a long time, and would have been pleased with a black copy, too, but since this orange version was sitting right in front of me, I decided to pick it up. I kind of regret it now since Rev has released a maroon version in the meantime, which looks so much better than the orange vinyl. Maybe I'll 'upgrade' it soon.

Give More, Give Everything, Give Blood

So, here it is. The most expensive record I have ever purchased and probably will purchase in a long time: the test pressing of the reissue that Triple B did for Bane's Give Blood LP for the album's ten year anniversary. I'd been hunting down one of these for a long time, contacted a lot of people - to no avail -, missed out on one on a few occasions on eBay, but finally was able to score one. Didn't come cheap, but it was well worth it.

I didn't buy the whole set when Triple B released this re-issue a few years back because I was a little strapped for money then. I reasoned that with black being the least rare colour, chances would be good that I might pick up this particular version along the road for a reasonable price. And that's just the way it happened. I stumbled across this black vinyl copy at a distro at one of the shows Bane recently played in order to promote their upcoming LP. Nice coincidence, right? So ironically, the least rare version completes this set for me. Triple B truly did a great job with this re-issue. Embossed cover, new cover art and an awesome booklet with lots of pictures and some bonus texts by the band. Plus, the choice of colours for the vinyl is excellent. You can really see that the label wanted to honour this record and the band with this re-release.

Bane - Give Blood (reissue on Triple B)

Bane - Give Blood - test pressing - toothpaste green - /15
Bane - Give Blood - red/white splatter - /200
Bane - Give Blood - white - /400
Bane - Give Blood - clear red - /400 (Equal Vision exclusive colour)
Bane - Give Blood - black - /1000

Catching Up With Today

Richmond's very own Down To Nothing have released a new LP on Revelation. I really liked all the early stuff that DTN released and I still love the Splitting Headache 7". The LPs just never could live up to that in my opinion. Save It For The Birds is still the best of the lot. Not that the LPs are bad records by any means. It's just that they never were as good as the early releases. Life On The James follows that trend. There was also a first press clear green edition, but I believe this is one of the second press copies on clear green vinyl mainly because I bought it kind of late.

I also grabbed a copy of the The Fact Remains LP by Focused Minds. When I buy current records I mainly follow the descriptions of the distro (which are usually copied and pasted from the labels, I know), but I never listen to records online beforehand. I'm kind of old-fashioned that way. The main reason is that I really like being surprised. Positively that is of course. This is not always the case obviously the case but if it happens, it's such an awesome feeling. Well, this is one of those LPs where this is not the case.
The description said something about 'drawing influences' from the past but 'putting a contemporary spin on the youth crew sound'. I haven't checked out any current youth crew bands lately so I thought I'd give it a shot. It's a good enough record and I might listen to it a couple of more times, but so far it's not that special. Generic youth crew sound, which is always ok in my book, but it doesn't get me overly excited either. 1st press out of 600 on black vinyl.

Speaking of contemporary youth crew records, I picked up Test of Time's self-released first 7" as well. I had read some good things about this band and seeing that they were recently bumped up by joining the B9 roster I thought I ought to give them a listen. Sadly the record doesn't do anything for me. There's not one song that really got stuck in my head. Maybe I'll give them a second chance and buy the 7" released by B9. This copy could be on grey /70 or cranberry /180. Don't really know. If you do, let me know. Gotta keep things in order here. Record collecting is serious business after all.

I really like split 7"s because they're a sweet way of checking out new bands for cheap. However, there's no wrong in putting two well established bands on one slab of vinyl. Shook Ones and Death Is Not Glamorous hardly need an introduction. Or at least I hope they don't. If you're not familiar with their back catalogue, you should change that quickly. I'm a little prejudiced towards Death Is Not Glamorous as they're easily one of my favourite Euorpean bands in the last couple of years and I still listen to their records on a regular basis. Good to get a couple of new songs by both bands, but the DING side wins in my book. Clear red /750.

I know, I know, this is not really catching up with new records. Re-presses don't really count. One of too many versions of Have Heart's debut LP that I already own. 8th pressing on white vinyl. And there's already a new one version out there. I wonder when I'll decide to call it quits on this record before it becomes way too ridiculous.

When it comes to represses, there are basically two way of how you can do it in my opinion. One, you
stick to the original as closely as possible when it comes to format, cover, lyric sheet, inlays etc and change as little as you have to. Two, you put in a lot of effort and create something new that is just so over the top it'll make your head spin. Radio Raheem opted for the 2nd way when they decided to re-release The Abused's Loud and Clear 7" and they did a bang-up job. This should be the standard of how reissues of classic records should be done.

Originally released in 1983, this classic NYHC 7" has been made available again for the first time in 30 years. That is if you don't count the 90s Lost and Found release, and who really cares about them. You get the songs from the Loud and Clear 7" plus the 1982 demo and a couple of unreleased live tracks. 21 songs all in all. The sleeve is a pseudo-gatefold of sorts with a flap in which you can put the record and everything that comes with it. You get a really cool booklet with a few texts and loads of pictures and flyers from back in the day. 24 pages all in full colour. Radio Raheem did truly a great job here. You also get a sticker sheet with replicas of OG stickers from the 1980s. Stickers are always cool, so why not throw some in here? I don't know what to say about the music except it's a classic record for good reasons. The music still holds up well today. I don't know if the songs are remixed since I've never heard the original 7", but who really cares.

If you don't want to spend a small fortune on this record, this is the way to go. If you want to spend that much money on the original 7", you should pick up the re-release nonetheless because this is a nice looking record and quite honestly, you probably just spent at least $700 on a 7" so you should be able to splash out $18 more for this LP.