2024

I must confess that I‘m not that well versed in the current hardcore scene. Nowadays it feels like I‘m always at least two steps behind, which is fine because hardcore should always be primarily a young people‘s game. However, I don‘t want to become one of those old guys living only in the past, so I‘m trying my best to keep up to date, but with every passing year this seems to be getting harder. 
Having said that, there was a bunch of releases this year that I really enjoyed. The first row are probably my top 3 records of the year, the rest could follow in any given order, depending on the day you ask me. 

I‘m particularly happy that there are so many awesome bands from Germany right now. I‘ve been more excited about German hardcore these last two or three years than in a long time before. And there are so many bands for me to check out that I only know by name as of now. I feel like things are looking pretty good for 2025, music that is. 

Desire Line - Life‘s Between Us
Prim - Move Too Slow
Wonderful World - Universal Tension (+ Demo 2023)
Karate - Make It Fit
One Step Closer - All You Embrace
Force Of Denial - Times Of Strife
Echo Chamber - s.t. 
Spiral - You‘re Not In This Alone
Praise - Coming Up For Air
Face The Pain - Demo 2024

I didn‘t pick up a that many collectibles this year. The only real heavy hitter I managed to acquire was 7 Seconds’ The Crew on blue vinyl, but what a gem that one is. Probably one of my top 5 records to own. I‘m also really happy with the progress I made with my I Against I collection. Getting three colored versions was pretty cool. And the Punk Note edition on the band‘s own label made a nice addition as well. I’d been after this version of the second Blacklisted LP for a long time, so finally getting one - and in a trade with a friend nonetheless - was great. 

Yes, the flood of represses can be annoying, but if there‘s one band I‘ll make an exception for my own rules it is Bane. Not only did I get to see them a bunch of times again, they also had a special tour version of Don‘t Wait Up. More bands need to do this again. Special vinyl or a special cover, I don‘t care. Just do something for a tour. Of course, you need a test press for a repress and I was lucky enough to be able to add one of these to my collection. That was not the only repress Bane did this year. The remixed version of their debut LP, It All Comes Down To This, sounds so awesome and at least one version I have so far also looks great. 

The Underdog Demos LP, the Toots & The Maytals album, the Stop And Think tape and the Adventures / Pity Sex split may not be actual collectibles, but I was really happy to be able to get a copy of those and enjoyed the hell out of them in 2024. I could have included those in the next picture as well. 

Bad Brains - I Against I - Punk Note Edition (Coke Bottle Clear) + Various Colored Versions (ca. 1990)
Underdog - The Demos - Black 
7 Seconds - The Crew - Clear Blue
Blacklisted - Heavier Than Heaven, Lonelier Than God - Clear w/ Black Haze
Toots & Maytals - Funky Kingston - Black 
Bane - Don‘t Wait Up (2024 Repress) - Tour Version + Test Press on End Hits
Bane - It All Comes Down To This (2024 Repress) - Pink
Stop And Think - Demo Tape
Adventures / Pity Sex - Split - Orange / White Marble 

Last, but certainly not least, I listened to a bunch of older stuff as well in 2024 of course. Some of these bands/records are pretty old, some are relatively new, some I‘ve known for decades, some I only got to know this year. But (re)discovering old bands and records is part of the fun. The Wugazi record is one of the best things I‘ve ever heard and is the record I listened to the most this year. 

Spiritual Cramp - s.t.
A Tribe Called Quest - Midnight Merauders
Karate - In Place Of Real Insight
Sunstroke - Bloom At Night
Blondie - Parallel Lines
Wugazi - 13 Chambers
The Movielife - This Time Next Year
Adventures - Supersonic Home
One Last Wish - 1986
Bad Brains - I Against I
Planet On A Chain - Boxed In (plus their second LP)
The Beatles - Abbey Road (bunch of their LPs)

So, that’s another year wrapped up. Thanks everyone for checking out my blog and interacting in some way or the other. I‘ve really enjoyed my first full year of doing this blog again. 

2025, let’s go!

XXX

Ralf

Youth Crew 2024

While taking the pictures for my year end post, I realized that I haven‘t made a post about one of my favorite demos/7“s this year yet. Look at the name, look at the artwork, and you will come to the conclusion that this can only be a youth crew band. It follows the youth crew formula to a dot, but it‘s done really really well. The people in Face The Pain have been in plenty of bands before, so they know what they’re doing. Seeing them live would make one fun show I‘d guess. If you like Mindset and the like, this is for you. 

Pressing a demo on a 7“ and making 500 copies in total (200 on clear, which I missed out on, and 300 on black) is a pretty balsy move in this day‘s hardcore economy, but good for the label and the band if they can actually move that amount of records. 

1st Press on Black on Rebirth /300

Crucial lyric sheet with all the crucial bands to listen to. Doing it old school style. 

Prison Of Hope

Prison of Hope is a relatively new band from Stuttgart aka Stu York. As you might have guessed from the band name, the people in the band are huge fans of 90s hardcore. Besides taking inspiration for the name from Chokehold, you also get a Strain cover on the B-side. The band released a demo in 2022 and has seen an interesting line up change: the original singer became the new drummer and the new singer is female. Totally works for me though, as the singer's vocals are awesome! As is the whole 7". I had forgotten I had pre-ordered this record sometime in spring this year, so when I got an e-mail telling me the record was about to be shipped finally, I was happily surprised. 

Also fitting with the 90s theme is the fact that this was released as an actual 7"! According to my spread sheet I picked up seven 7"s released this year (kind of poetic, don't you think), including this one. I know why labels prefer doing one-sided 12"s these days, but 7" is still the best format for hardcore and I wish there were more 7"s released. 

1st Press on Solid Red on Final War & Drastic Actions /100

For the nerds: there are also 100 copies on white vinyl. 

The Quest

A Tribe Called Quest has become one of my favorite hip hop bands over the last lets say one and a half years. I didn’t realise how many of their songs I had already known from movies, skateboard videos or video games. So one of the tasks I set for myself for 2024 was to get as many of their LPs as possible. Beats, Rhymes and Life is their fourth album, originally released in 1996. I was really looking forward to listening to ‘new‘ material of theirs, but the pressing of this album is horrible. In a recent post I wrote that I don‘t really care about audio quality, so for me to complain about that means something. I checked my equipment, the needle, the speakers, I listened to other records on that record player, I listened to this record on my other records player - to no avail. So I might have to start looking for another pressing because the songs I heard I really liked. 

202X Repress on Black on Jive 

Prim(e)

Prim is a band I knew absolutely nothing about just a few weeks ago. I was browsing for records on various distro websites when the cover of their LP caught my eye. I read the promo text for Move Too Slow and really liked what I read: indie, alternative rock and Dinosaur Jr. The fact that Sunday Drive released this LP helped to seal the deal, because the label has released a bunch of great records over the last few years. The preview of the vinyl color looked pretty nice as well, so I added the LP to my shopping basket. 

When I got the record, I immediately put it on and it didn‘t leave my record player for quite a while. It came to a point where I listened to the record in my office, stopped because I had to run a few errands, but continued listening to the record in the car because I just couldn‘t get enough of the record. Same thing on the way home and back to the office. The songs are just so catchy. I love it. 

1st Press on Green in Green Swirl on Sunday Drive /200

Bane Bane Bane

As glowing as my post about the reissue of Bane‘s debut LP It All Comes Down To This was, this post couldn‘t be any more matter of fact. This is also 100% proof that record collectors are sometimes just stupid because I don‘t like a single color variant posted here to be honest. Ok, the maroon with pink splatter is alright, but it‘s not a beauty. However, to keep the collection as complete as possible, I bought them anyway. I had to. Right? Right???

Speaking of complete collections, until the repress I did have a complete collection, including a test press. I‘m now missing two regular versions of the repress plus a test press for the repress. Now, I don‘t know for sure if Equal Vision made new test presses for this repress, but I‘m fairly certain they had to make new tests after 25 years. So I went from having a complete collection back to probably never having a complete collection ever again because the label is known to be very stingy when it comes to making test presses available. Such are the woes of record collecting. 

1st Press on Maroon w/Pink Splatter on Equal Vision /500

1st Press on Clear w/ Green and Red Splatter on Equal Vision /500

1st Press on Yellow w/ Black Splatter on Equal Vision /300 (Rev Exclusive)

Make It Fit

Sometime last year I stumbled across the band Karate and quickly fell in love with their sound. Over the last few months I managed to pick up all their LPs and their records have been on constant rotation for all of 2024. 

I hadn‘t really been aware of the fact that the band was going to release a brand new record this year until Marcus made a post about Make It Fit on his blog. I eventually managed to find a mailorder carrying the new LP at a reasonable price and ordered a copy. This is a great listen. Perfect for quiet winter evenings for sitting on the couch and reading a book or getting some work done in the office. One of my favorites this year. 

1st Press on Crystal Clear (aka Bleach The Scene) on Numero Group /???

In Trust We Trust

SSD is probably one of the most legendary hardcore bands and arguably the first real straight edge band. Their The Kids Will Have Their Say LP is an absolute classic, but their 1983 EP Get It Away has probably their most famous song on it, Glue. At least, that’s the song covered the most by other bands. Both of these records are incredibly hard to come by. You either have to shell out a lot of money for the originals on X-Claim or you have to resort to buying a bootleg. I‘ve had a bootleg of The Kids Will Have Their Say for a long time, but I never owned a copy of Get It Away until now. 

Whenever Trust Records released a reissue of a certified classic, they made sure that the packaging is always top notch. Of course there are a million different variants, most of which are rather ugly. But this solid blue vinyl works so well with the cover and the inner sleeve. I mean, just look at the whole thing. It‘s  just done so beautifully. And getting  stencil on topf of that? Sure, the records are a little bit more expensive, but you definitely get something for your money‘s worth. 

2024 Repress on Solid Blue on Trust /???

Wonderful World

Wonderful World is a relatively new band from Cologne, Germany. They released a demo in 2023, which I loved, and an EP on cassette (I can actually hear Marcus wince, haha) this year, which I sadly missed out on. So, when the band’s label announced there‘d be a vinyl pressing of the demo and the Universal Tension EP, I ordered my copy right away. One of my favorite releases this year. 

Musically they remind me of Dangers. Well, a much heavier version of Dangers, but there‘s that weirdness that both bands share, at least to my ears. 

1st Press on Blue w/ Black Marble on Side 2 Side /300

The label put a lot of effort into the packaging. Not only did it spring for a gatefold sleeve, the gatefold sleeve slides into this other cover. Pretty cool if you ask me. 

No Escape

No Escape has always been one of those bands I was aware of, but usually didn’t pay too much attention to. They did a split 7“ with Turning Point, which is probably their biggest claim to fame. Other than that, they were never really on my radar. Then again, there was never that much material to go on to start with.

When I saw this discography pop up on mailorder websites and in my Instagram feed, I listened to the Turning Point split again and decided to give No Escape a chance. After listening to this LP a few times, this was definitely a good decision. The songs on here are really good. I got stuck with the army green version, which doesn‘t really show in the picture and I might have to take another one. Blue would have been nice, coke bottle clear would have been awesome, but army green? Who would choose that color to begin with? At least the music is really good. 

1st Press on Army Green on Revelation /250 (Indie Store Exclusive)

It All Comes Down To Represses

After not jumping on the repress wagon right away with the Give Blood represses, I decided not to repeat the same mistake when I saw that It All Comes Down To This was about to repressed. I‘ve known for a long time that the band was really unhappy with the way their debut album sounded. I never got that because I don‘t have an ear for that to be honest (ask any of my bandmates) and I don’t care if songs were recorded on a second-hand four-track in a basement in an abandoned building in New York in 1983 as long as they‘re good songs. As a matter of fact, if a record doesn‘t sound all that great that can actually add to the charm of a record for me. 

Anyway, I listened to an episode of  podcast with Aaron Dalbec of Bane and Brian McTernan of Battery/Be Well/Salad Day Studios, who did all the recordings for Bane except for It All Comes Down To This. However, he was in charge of remixing and remastering this LP and both of them were really excited when talking about the finished product, which in turn made me really excited.

Like I said before, I really don‘t have an ear for what‘s a good or bad production, but goddamn, Brian McTernan did an excellent job with this remix. It‘s like a completely different record! This version does sound so much better compared to the original, it‘s hard to fathom. If you want to get all the details about the process of remixing the record, you should really listen to the Where It Went episode, it‘s a really interesting listen. 

I picked up this version first because it‘s the best looking one by a mile. Can‘t go wrong with (clear) pink vinyl. The cover was also tweaked a little bit and it looks as fantastic as the record sounds. The gold and red foil or whatever that is in combination with the metallic colors used for the sleeve are great details. The only thing I‘m not a fan of is that the labels were redone as well. I actually like ones on the OG pressing better. Still, I‘m really, really stoked on this repress. 

2024 Repress on Clear Pink on Equal Vision (Newbury Exclusive /300)

I have a framed promo poster for the original release of It All Comes Down To This hanging in my office, so this felt like a good time to take it off the wall for a picture. As you can see the picture on the promo poster is the same as the one used on the inner sleeve of the record. 

Guided

The new High Vis album was high on my list of records I wanted to check out. Sadly, this has been kind of a let down. It‘s not a bad album at all, but I haven‘t found any hits yet. On their previous records there were also a bunch of songs that stuck out, but Guided Tour just sort of trods along. 

1st Press on Oriole (?) on Dais /2000

Deprogramming

Earlier this year I picked up the first Planet On A Chain LP and I really, really liked it. So getting their  second LP, Deprogram, was high on my list of rather current releases. And again, the band does not disappoint at all. The cover looks sick as well and you get exactly the kind of music you might expect from looking at the picture. The green vinyl looks awesome as well and who doesn‘t like a nice OBI strip?

1st Press on Clear Green on Revelation /600

One Step Closer

When I picked up the last One Step Closer record last year I wrote that I was afraid of the their musical progression on their next output, meaning going even more pop. Yet they did just that and somehow I like All You Embrace more than Songs For The Willow. I'm not sure if my taste in music has changed or they are just really good at what they're doing, but it's funny how that goes sometimes. Be that as it may, I really enjoy the songs on this record. 

The artwork is kinda meh, but the packaging is excellent. Run For Cover always goes the extra mile. Big poster and a giant booklet, all printed I color. This kind of packaging actually justifies a slightly higher price. Good job by both label and band. 

1st Press on White on Run For Cover /1200

Another Fucked Up Record

Last year, Fucked Up released a record called One Day, which I liked very much. When I saw that the band had released another record this year called Another Day, I couldn‘t think of any good reason not to pick it up. Fucked Up has become one of those bands I‘ll always check out, no matter what. Their latest LP is a good listen, but it‘s not quite as good as the previous one. Maybe I just have to sit with it a little bit longer.  

1st Press on Milky Clear on Fucked Up Records /1520 (Indie Store Pressing)

Prude

Looking back over my last few posts, people reading this blog might get the impression that I only buy old records or records by older, more established bands. Well, there‘s some truth to that, but I always try to keep up with newer bands. I really enjoyed all of the Drug Church output of the last few years, so when their latest LP dropped I knew I wanted to have a copy. Prude is a good record, but I haven‘t found the track yet. On their previous records there was always one hit that stuck with me immediately. Not on this one, at least not yet. 

I like the artwork and vinyl color works really well with the sleeve. I don‘t really care that it‘s the most common variant, but can labels / bands please stop coming up with these ‘fun‘ names for colorways?

First Press on Fun Dip Purple Marble on Pure Noise /3400

Seasonal

Kill Holiday wrote one of my all-time favorite songs. Not just hardcore or punk songs, but songs in general. Period. I even got into their one and only LP in recent years. So when I saw that there was another record coming out, I knew I had to have it. Seasonal is a collection of material from the early days of the band and it doesn‘t disappoint. All in all it‘s a fun listen. Because I absolutely wanted to have this record, I even ordered directly from the label in the US, which is something I very rarely do these days. The label had posted this was going to be one-time only press out of 250 copies, so I figured I‘d better order pretty quickly. However, the record didn’t sell out immediately. Apparently fewer people are into Kill Holiday than I had thought. Then, Seasonal became available through distros in Europe (and still is). And on top of that Indecision announced a second pressing. So, my stupid FOMO made me spend a whole lot of money for nothing. I mean, not for nothing, but I could have saved a pretty penny by just being more patient. However, I‘m still glad about the actual record I got.

1st Press on Burgundy on Indecision /250

Once In A While

Every once in a while I will hit up the local record store. Their focus is definitely not on what I usually listen to, but they do have a second hand punk/hardcore section that consists mainly of rather obscure stuff. But sometimes there‘s a record in there that tickles my interest. When I saw this Downcast LP I was very intrigued and since it was priced at 10€, there was really no good reason to not buy the record. Leaving behind an LP at this price in 2024 would be a crime, punishable under rule 23B of the Hardcore and Punk Collectors’ Code. 

Not only is the music really good, the cover and the booklet are so well done too. I wish more bands/labels would put that much effort into those things. 

In Place Of Real Insight

There seems to be kind of a Karate resurgence be going on, at least in this little record blogger bubble. In his blog entry about the latest LP by Karate which was just released a couple of weeks ago, Marcus’ was kind enough to mention my posts about all the band’s records I picked up this year. Reading the entry, I noticed that one record I knew I already had was missing. Marcus hadn’t made a mistake, I simply hadn’t posted about the record yet for whatever reason. In Place of Real Insight is the band’s second LP, released back in 1997. I really enjoy this record. For me, it’s the whole package: Music’s cool, the minimalist artwork in combination with the haptic aspect aspect of the sleeve is awesome and the blue chosen for this repress works really well for me. This feels like a group effort to finally get me posting about this record. 

Also, this serves as a reminder that I need to pick up a copy of the new Karate LP after Marcus’ very positive review. 

Bad Greens

Not only was I Against I rereleased with those awesome Punk Note covers, the band also pressed the record on a ton of different colors. I wanted a colored copy to keep the collection of colored versions going, but I also wanted to stay clear of those awful splatter versions. Green marble sounded like a solid choice by comparison. This is not the 'plutonium' color, which I've seen advertised everywhere, but the Newbury exclusive on 'Green Bay'. I have no idea if that is an actual name for a color or just something someone came up with.  After ordering this record, I found out that there’s also an orange marble version and a solid red version, which in hindsight would have maybe been the better choices. Then again, what’s one or two more records in the collection, right?

2024 Repress on 'Green Bay' on Bad Brains Records (Newbury Comes Exclusive /300)

Jets To Australia

Among the other bands I put on my holiday playlist to finally check them out was Jets To Brazil. I was well aware of the Jawbreaker connection, but for some reason I just always put on Jawbreaker and never listened to Jets To Brazil. Well, flying to the other end of the world and having plenty of time on the plane, I really had no excuse to put off listening to new bands any more. As you can see, I really liked what I heard and eventually ordered a copy of Orange Rhyming Dictionary. Since original pressings sell for quite a bit of money these days, I decided to go with a good looking repress. 

2023 Repress on Tangerine Dream on Jade Tree /500

Spiritual Cramp

Before I went on holiday I decided to make a playlist on Spotify with some all-time classics and with songs by bands I meant to check out for a while but never got around to do so. One of those bands was Spiritual Cramp, which I got tipped off to after Mike posted about their LP from last year. Seeing that Marcus co-signed on the record, this band seemed worth checking out. Mike mentioned the song ‘Talking on the Internet’, so that was the song I picked. And what can I say, I was hooked from the first listen. After listening to the playlist a few times, I ordered a copy of the band’s s.t. debut LP right away. 

‘Talking on the Internet’ is a such goddamn hit. So catchy. It even made the very elusive list of songs I could see myself using if I ever was going to film a skateboard part. Don't get your hopes up though, I haven't really skated in 15+ years and even at the best of times I was extremely bad and in now way, shape or form could I have filmed a 3 minute or so part that other people would have liked to watch too. BUT if I were good enough to do that, that song would make such a great choice. In my head I already know how I'd edit that part, as in where would the single tricks go, where would be a good place for a line and which effects could be used. Not that I could do that either from a technical stand point, but it's nice to have dreams, isn't it? 

It’s not just the one song though, the whole album is incredible from start to finish. So much fun to listen to. 

2nd Press on Milky Clear on Blue Grape /

I Against I Against I

If you’ve been following this blog for the past months, you probably noticed that I’m really into Bad Brains’ I Against I LP. As with their other full lengths releases, the band re-released special versions that have been a nod to legendary label Blue Note. Those previously released Punk Note versions all came out so great, it took me about two seconds to decide to get a copy when it was announced I Against I was going to receive the same treatment. 

Since I started collecting colored versions of I Against I, getting the colored version of this repress was kind of a given. Plus, the color chose for this repress looks so damn cool, especially in combination with this artwork. 

2024 Repress ‘Punk Note’ Edition Coke Bottle Clear on Bad Brains Records /1000

It’s funny how record collectors come up with a thousand different reasons why they need to pick up a certain record or version of a record or why they need to pick up more than one copy of a record. With all the other Punk Note versions I only managed to get black copies, because the colored versions had already sold out. So to keep the collection of black Punk Note editions complete, obviously I need to buy a second copy. Makes total sense. 

I also got a copy of the Bad Brains fanzine and put it in the picture just for fun. 

2024 Repress ‘Punk Note’ Edition on Black on Bad Brains Records /1000

Give More

So after caving on the Don’t Wait Up represses, I decided to go full in and started looking for copies of the Give Blood represses Equal Vision did last year. Now I’ll be slowly chipping away at those missing copies, probably just in time for the newly announced repress of It All Comes Down To This. I think Poison Idea got it wrong. Record collectors aren’t pretentious assholes, they are gigantic idiots. 

2023 Repress on Opaque Cream (“Newbury Exclusive”) on Equal Vision /300

Just Don’t

The post with the three more copies of Bane’s Don’t Wait Up the other day were just the tip of the iceberg that is the madness of collecting. 

While on holiday, End Hits Records and Bane announced that there would be a 10-year anniversary reissue of Don’t Wait Up. Of course that meant a bunch of different versions. Initially I only bought the last two records shown in this post because they were the most limited ones. But after suffering from not-buyer’s remorse the day after, I bought the remaining versions too. Well, technically this isn’t 100% true because by that time the version only available in the UK was already sold out. Since I didn’t want to give my money to flippers on Discogs, I still don’t have a copy. But luckily prices have come down already a little bit. Hopefully this trend continues and I can cross of that version soon as well. 

I really, really hope that this trend of splatter in all variations will end soon and we will be able to look back on this era of vinyl and say ‘Phew, what were we thinking? Let’s not do that again.’ But for now I’m stuck in splatter hell. Obviously no one forced me to buy these records, so I'm can't really complain too much. 

2024 Repress (= 6th Press) on Clear w/ Blue Blob and Yellow Splatter on End Hits Records /125

This version actually looks pretty cool. Love me a nice pinwheel record, especially with a nice color scheme. 

2024 Repress (= 6th Press) on Dewdrop / Midnight Blue Pinwheel on End Hits Records /200

 

The record itself is not that nice to look at, but the silk-screen cover is really sick. 

2024 Repress (= 6th Press) on Midnight blue w/ White/Yellow Splatter on End Hits Records /111

On the back of the cover, the record is numbered out of 111 copies. Nice touch. More bands / labels need to do this kind of thing again. 

Last, but not least, I also managed to pick up a test press for this repress. End Hits tends to do a lot of test presses, which some people frown upon. I don’t really care. If selling test presses helps to keep a label afloat, I’m all for it. 

Test Press for the 2024 Repress (= 6th Press) on End Hits Records /43

Don’t (Wait Up)

For quite a while, I told myself that I wasn’t going to get sucked into buying even more represses of records I already have a lot of copies of. But after seeing Bane a bunch of times and seeing the repress copies of our gracious host Daniel, I said “Fuck it. It’s Bane.” Luckily, this happened around Labor Day in the US and Equal Vision offered a discount over that weekend. Since the records weren’t that expensive to begin with, I actually got Bane records in 2024 for less than $20. Well, at least before shipping, but still. 

Musically, there’s not much to say. The last Bane LP is now considered a classic in itself, which makes me feel old as hell. This repress came out last year and was a Revelation Records exclusive color. Kinda weird this comes on baby blue instead of yellow, because the latter has been the go-to color for Rev exclusives these last few years. I’m not really complaining though because baby blue works much better than yellow. 

2023 Repress (= 3rd Press) on Baby Blue on Revelation Records /???

The most current represses are not that pretty, but a collector’s gotta do what a collector’s gotta do. 

2023 Repress (= 4th Press) on Custard w/ Blue on Equal Vision (/500)

This version looks much better than the other one, because at least the colors go with the artwork, at least to some degree. But it’s still not a good looking version. 

2024 Repress (= 4th Press) on Purple and Black/White Splatter on Equal Vision /500

More Clarity

What makes a very good record store an outstanding record store? A great second hand section, and that’s exactly what Clarity has! Experienced crate diggers will tell you that heading straight is the only right move when going to a record store with a used punk / hardcore record section. 

First up is Delinquent Songs by local Adelaide band The Personalities. Music = ? Footy, the owner of Clarity Records, also happened to sing for this band. The music is very much punk. Going by the name of the band, the release, and the song titles, you might have already guesses that. It's not my go to kind of music these days, but I really enjoy this record. As an avid record collector himself, he put in extra effort to make the record unique. As you can see there’s a flap on the right hand side / at the bottom of the sleeve if you open it. This makes it slightly inconvenient to store, because the flap makes the sleeve a tad bigger than regular sleeves. But it is a cool feature and I appreciate the creativity. Marcus will frown at the next statement, but black vinyl is really the best choice of color for this release. It looks so classy with the artwork. 

1st Press (?) on Black (self-released)

In the 2000s, Youngblood Records was a safe bet for releases I liked. The Lights Out LP has always been a record that I really enjoyed, but their only 7” Get Out had always eluded me. Listening to this record, not picking up a copy sooner was clearly a poor decision on my part. Especially considering that his record is easy to find and doesn’t cost an arm and a leg. This kind of music will always grab me. 

1st Press on Black on Youngblood Records /???

Latest God is an Australian band, made up of scene veterans I’ve been told. I’m getting very strong Dag Nasty vibes on their s.t. debut on vinyl. Cool record. 

1st Press on Maroon on Life.Lair.Regret /???

Shook Ones is one of those bands I rarely listen to, but whenever I do, I tell myself that I need to listen to them more often. Too much music, too little time. Anyway, I didn’t have a copy of Merriweather Post Pavillion yet, so buying a copy sitting right in front of me wasn’t a particularly hard decision. 

This last record, a split between Adventures and Pity Sex, I picked up for two reasons: 1) the Adventures LP is awesome and I listen to this a lot when working at home and 2) they cover Behind This Wall by Turning Point. Which, as it turns out, is a phenomenal cover in my opinion. The other song by Adventures is also really good and I also enjoy the Pity Sex side a lot. Very poppy, but the good kind of poppy. This split may be my favorite of the whole lot. 

2nd Press on White and Orange on Run For Cover /1000

The B-Side looks pretty cool as well. Also, imagine doing a second press of 2000 copies in total for any record nowadays, let alone a split 7”! Crazy how the vinyl landscape has changed in the last 10 years.  

All in all, the trip to Clarity Records was as good as it could be. Makes me wish for a cool record store in my area too, though. 

Clarity

Usually I really enjoy exploring record stores in new cities, but on this trip I wasn‘t too bothered by the fact that I didn‘t have that many opportunities to go digging. The main reason for this was that I knew I was going to an excellent record store in Adelaide. My friend Dan had been telling me about this fantastic record store called Clarity. And what can I say, he didn‘t exaggerate. Clarity is the kind of shop I would love to have close to where I live because the selection of new records is excellent, the second hand section is equally as good and all of the records are priced fairly. Hell, the section on hardcore and punk related books alone would be enough for me. I would also hate to have a record store like this so close to    where I live because I would spend way too much time and money there. But as always in life, love prevails.

The first LP I got was Liveage, the Descendants live LP. Great selection of songs from their early period. I was pretty excited to find this LP because I in my head this record was high on my want list. Well, I should have checked my actual want list and, more importantly, my spreadsheet, because I could have seen that I already own a copy. As much as I like this album, I certainly don’t need two copies.  So if anyone wants a copy for cheap or do a quick trade, let me know. 

Most Recent Repress (?) on Black on SST

I love Fucked Up as a band, but their discography is such a nightmare. They’re such a prolific band, it’s hard to keep track with all of their released. 7”s are much worse than LPs, so I mostly stick to their full lengths or compilations nowadays. Do All Words Can Do is a collection of B-sides and demo versions from the David Comes To Life era, which in my opinion is their album. When I read the information on the hype sticker, I knew I had to get this. This record is probably not a necessity, but I really enjoy the songs on here. 

1st Press on Black on Matador

Last, but certainly not least is the first LP by Tørsö called Sono Pronat A Morire. This was originally released on Agipunk, but later on it was re-released by Sorry State. I love both 7”s they released on Revelation a few years ago, especially Build and Break. But for some reason I never bothered to pick up their other releases. When I saw this record in the wild, it was a no-brainer to pick it up. I’m usually not a fan of swirl records and yellow-green is definitely not my favourite color combo, but for some reason this colorway works for me. 

5th Press on Yellow / Green Swirl on Sorry State (no further pressing info)

I also have to say that the prices of the records were incredibly fair. Not only for Australia, but for records in general. Big shoutout to Clarity Records. If I ever get back to Australia, I’m definitely going there again.